Let’s face it: many
reviewers are out there writing for websites, magazines, and books. There are
several commonalities: They’ll tell you
a bit about the history or backstory, they’ll talk about mashbills, and they’ll
describe aromas, tasting notes, and finishes. Some will even mention prices and
where you can pick up bottles (we do that at Bourbon & Banter, but
we’re cool like that). The crux, however, is the recommendation and rating.
There can be great
misunderstanding and confusion as it pertains to ratings. When I write reviews,
folks occasionally comment and ask why I don’t do a rating in their preferred
manner or use a more “classical” method. Some want a scale of one to five
(along with cute icons like Glencairn glasses, thumbs, etc.). Others request a
scale of one to ten. And, for some, they want a score of one to 100. Then,
there’s the 50 to 100, such as those done by Whisky Advocate.
Of course, none touch the
bronze, silver, gold and double-gold ratings you’ll find at tasting events.
But what do they all mean?
In my opinion, not a lot, and all of them leave plenty of room for
interpretation. One of the great misconceptions is the award method. At most
shows, everyone gets at least a bronze. That’s right! If you’ve paid your entry
fee, you’re almost guaranteed to get a participation trophy (Bronze).
That bronze also doesn’t say much about whiskey either. It could be drinkable
to decent but not worthy enough to get to the next level, Silver. And
silver could be anywhere from the same scale (drinkable to decent). Gold
is where it is at, and even then, not all golds are created equal. Then there’s
that Double Gold. Double gold can be great, but not as great as Best
in Category or Best in Show, which are also equally meaningless
because if everything at the show is mediocre, then Best in Show is the best of
the mediocre.
Next are the one-in-five or
one-in-ten rankings. You’d think these would be simple to understand, but
they’re not. Sure, one is pretty much horrible, and, depending on the scale,
five or ten is stupendous. If, on a five-point scale, a three is average, is
that average decent, is that average good, or is that average, well, average?
The ten-point scale leaves more room for interpretation but doesn’t say much in
the end. Do I want to buy a seven? Is there a vast difference between a seven
and eight or an eight and nine? How often is a ten given out?
Many folks enjoy the x to
100 scale ratings. Personally, I get the scale if it starts with one. But why
start at 50, 60, or some other arbitrary number of points? This is like taking
the SAT: you automatically get 400
points just for writing your name. Unless the point is to not hurt anyone’s
feelings by saying You suck, it just doesn’t make sense. If I use the
Whisky Advocate scale, their ratings aren’t evenly measured. There’s a
five-point difference between each of the categories until, of course, you hit
the bottom. The “Not Recommended” category has a 25-point spread. Is a 94-point
whiskey really worse than a 95 (Outstanding versus Classic)?
When it comes to ratings, I
prefer simplicity. I won’t pretend I formulated the Bourbon & Banter
review/rating model, but I adopted it immediately once I saw it. I write
reviews that people can both understand and relate to. I don’t use fancy,
esoteric descriptors that no one but the reviewer comprehends, such as lilac
from grandma’s attic or simply beautiful marzipan. The Bourbon & Banter
scale is straightforward to understand: Bottle (buy it), Bar (try it) or Bust
(leave it). It doesn’t compare apples to oranges or even whiskeys to
whiskeys. It is a simple recommendation that makes perfect sense.
My Simple, Easy-to-Understand
Rating System
- Bottle = Buy It
- Bar = Try It
- Bust = Leave It
Whiskeyfellow encourages
you to enjoy your whiskey as you see fit but begs you to do so responsibly.
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